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¿Es posible sanar el alma cuando el pasado está marcado por el abuso y el dolor? Ecos del Alma no es solo un libro; es un puente hacia la liberación emocional. A través de una valiente honestidad, la autora comparte su propia travesía desde el maltrato infantil hasta la sanación energética, demostrando que el perdón no es solo posible, sino necesario para volver a vivir. ¿Qué descubrirás en estas páginas? * Regresiones a vidas pasadas: Casos reales de personas que superaron traumas inexplicables al comprender su origen kármico. * Herramientas de sanación: Cómo transformar el dolor de abusos y relaciones tóxicas en amor propio. * Más allá de lo visible: Respuestas sobre la reencarnación, los viajes astrales y la comunicación con seres que ya no están. * Paz ante la pérdida: Una visión reconfortante sobre la muerte como una transición, no como un final. Este libro es para ti si: * Buscas superar heridas del pasado que parecen no cerrar. * Te interesan los misterios de la espiritualidad y el karma. * Necesitas encontrar un propósito y paz en un mundo de conflictos. Abre tu corazón a una nueva realidad. La muerte es solo una transición; la sanación empieza hoy.

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Cuarta novela de la hilarante saga del Mundodisco. En esta entrega, Mortimer es un joven soñador y despistado a quien le toca en suerte una inesperada tarea: convertirse en aprendiz de la Muerte y aplicarse en liberar almas de su envoltura carnal. A decir verdad, Mort no está demasiado capacitado para ello, y en una de sus primeras misiones, liberar el alma de una atractiva princesa que está a punto de ser asesinada, decide en su lugar «liberar» el alma del asesino, interfiriendo así en los designios del Destino y provocando el consiguiente desaguisado. Por su parte, la Muerte, habiendo delegado buena parte de su trabajo en Mort, se dedica a beber, jugar a los dados y embarcarse en enrevesadas reflexiones filosóficas...

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An analysis of the investment approach of the world's top investors, showing how to achieve market-beating returns It is possible to beat the market. Taking this as a starting point, Excess Returns sets out to explore how exactly the most famous investors in the world have done it, year after year, sometimes by huge margins. Excess Returns is not a superficial survey of what investors have said about what they do. Rather, Frederik Vanhaverbeke applies a forensic analysis to hundreds of books, articles, letters and speeches made by dozens of top investors over the last century and synthesises his findings into a definitive blueprint of how exactly these investment legends have gone about their work. Among the legends whose work has been studied are Warren Buffett, Benjamin Graham, Anthony Bolton, Peter Lynch, Charles Munger, Joel Greenblatt, Seth Klarman, David Einhorn, Daniel Loeb, Lou Simpson, Prem Watsa and many more. Among the revealing insights, you will learn of the striking similarities in the craft of great investors, crucial subtleties in their methods that are ignored by many, and the unconscious errors investors commonly make and how these are counter to successful investing. Special attention is given to two often overlooked areas: effective investment philosophy and investment intelligence. The investing essentials covered include: - Finding bargain shares - Making a quantitative and qualitative business analysis - Valuation methods - Investing throughout the business cycle - Timing buy and sell decisions - And much, much more! Excess Returns is full of timeless and practical insights, presented in a unique style, to help investors focus on the most promising opportunities and lead the way to beating the market.

This is the first genuine etymological dictionary of Old Chinese written in any language. As such, it constitutes a milestone in research on the evolution of the Sinitic language group. Whereas previous studies have emphasized the structure of the Chinese characters, this pathbreaking dictionary places primary emphasis on the sounds and meanings of Sinitic roots. Based on more than three decades of intensive investigation in primary and secondary sources, this completely new dictionary places Old Chinese squarely within the Sino-Tibetan language family (including close consideration of numerous Tiberto-Burman languages), while paying due regard to other language families such as Austroasiatic, Miao-Yao (Hmong-Mien), and Kam-Tai. Designed for use by nonspecialists and specialists alike, the dictionary is highly accessible, being arranged in alphabetical order and possessed of numerous innovative lexicographical features. Each entry offers one or more possible etymologies as well as reconstructed pronunciations and other relevant data. Words that are morphologically related are grouped together into "word families" that attempt to make explicit the derivational or other etymological processes that relate them. The dictionary is preceded by a substantive and significant introduction that outlines the author’s views on the linguistic position of Chinese within Asia and details the phonological and morphological properties, to the degree they are known, of the earliest stages of the Chinese language and its ancestor. This introduction, because it both summarizes and synthesizes earlier work and makes several original contributions, functions as a useful reference work all on its own.

MEJOR NOVELA DE 2021 SEGÚN EL DIARIO EL PAÍS. Agnes, una muchacha peculiar que parece no rendir cuentas a nadie y que es capaz de crear misteriosos remedios con sencillas combinaciones de plantas, es la comidilla de Stratford, un pequeño pueblo de Inglaterra. Cuando conoce a un joven preceptor de latín igual de extraordinario que ella, se da cuenta enseguida de que están llamados a formar una familia. Pero su matrimonio se verá puesto a prueba, primero por sus parientes y después por una inesperada desgracia. Partiendo de la historia familiar de Shakespeare, Maggie O’Farrell transita entre la ficción y la realidad para trazar una hipnótica recreación del suceso que inspiró una de las obras literarias más famosas de todos los tiempos. La autora, lejos de fijarse únicamente en los acontecimientos conocidos, reivindica con ternura las inolvidables figuras que habitan en los márgenes de la historia y ahonda en las pequeñas grandes cuestiones de cualquier existencia: la vida familiar, el afecto, el dolor y la pérdida. El resultado es una prodigiosa novela que ha cosechado un enorme éxito internacional y confirma a O’Farrell como una de las voces más brillantes de la literatura inglesa actual. «Lo que hace tan interesantes a las novelas de O'Farrell es su apuesta por cambiar siempre de ángulo o decidirse por el más inesperado, su estilo lírico y delicado aunque directo y estremecedor si hace falta, su atención al detalle producto de una evidente investigación profunda que, sin embargo, llega con gran naturalidad a la página. Esto es muy evidente en "Hamnet".» Mariana Enriquez (Página 12) «Lo maravilloso y muy meritorio de "Hamnet" es que Maggie O’Farrell vivifica a Shakespeare, el gran “monstruo de la naturaleza” del canon universal ―siempre desde una perspectiva anglosajona―, colocando en primer plano la domesticidad y utilizando como foco narrativo prioritario la figura de su esposa, aquí llamada Agnes. (…) un magnífico texto sobre el amor de una pareja disímil que, en su superación del duelo y en la metamorfosis de la existencia que comporta la muerte intempestiva, toma en apariencia caminos divergentes.» Marta Sanz (Babelia - El País) «Un prodigio literario que indaga en el origen del dolor y transita por las sendas más desconocidas del amor y la maternidad. Una historia extraordinaria, que mezcla realidad y ficción, llena de imaginación y empatía. Una maravilla.» Inés Martín Rodrigo (ABC Cultural) «"Hamnet" es modélica en el desarrollo de su trama y en el cuidado de su ambientación.» Antonio Lozano (Cultura/s – La Vanguardia) «"Hamnet" habla de la mortalidad y el duelo, sobre cómo lo procesa y deglute cada uno. Una novela magnífica por la construcción de personajes y por el prodigio de saber escarbar con respeto en los recovecos de la verdad histórica.» Olga Merino (El Periódico) «Una obra redonda, de enorme belleza. (…) Una gran historia, enormemente conmovedora, que indaga acertadamente en el dolor y la pérdida con una destreza y una sensibilidad sencillamente magistrales.» Sagrario Fernández-Prieto (La Razón) «Es una maravilla sensible y agridulce. La obra de una gran escritora y la prueba de que los grandes siempre tiene algo que contar.» Xavi Sancho (ICON – El País) «"Hamnet" juega con la historia de Shakespeare y Agnes, pero Maggie O'Farrell es capaz de llevarse la narración siempre a su terreno, al que mejor navega: el de las relaciones personales, el dolor y la maternidad. Esa es la gran fortaleza de esta novela hermosísima de prosa bellísima.» Lara Hermoso (Radio 3) «Una novela sencillamente colosal.» Javier García Recio (La Opinión de Málaga) «Una novela ambiciosa, de una riqueza literaria que deja boquiabierto a quien se enfrenta a su grandeza.» Sonia Fides (Heraldo de Aragón) «O'Farrell toma una historia reconocible y la hace sorprendentemente nueva a los ojos asombrados de los lectores. (…) La mejor novela de Maggie O’Farrell.» Luis M. Alonso (La Nueva España) «Su mejor novela hasta la fecha. "Hamnet" demuestra que siempre hay nuevas historias que contar. (...) Esto confirma a O’Farrell como una escritora de extraordinaria versatilidad – cualidades que comparte con William Shakespeare.» Stephanie Merritt (The Guardian) «Sobresaliente, preciosa, conmovedora (…) El libro de su vida. ¡Estoy tremendamente celosa!» Tracy Chevalier «Un extraordinario hito de la imaginación y la empatía.» The New York Times Book Review «Un regalo para los sentidos. Una novela muy especial.» The Sunday Times «Una historia emotiva y llena de intriga sobre la manera en que el dolor transforma brutalmente un matrimonio.» The Washington Post «Una saga familiar tan llena de vida, de magia y de afecto que desearía que fuera real. (...) Maravillosamente escrita.» The Boston Globe

The Sunday Times top ten bestseller. Edward Snowden, the man who risked everything to expose the US government’s system of mass surveillance, reveals for the first time the story of his life, including how he helped to build that system and what motivated him to try to bring it down. In 2013, twenty-nine-year-old Edward Snowden shocked the world when he broke with the American intelligence establishment and revealed that the United States government was secretly pursuing the means to collect every single phone call, text message, and email. The result would be an unprecedented system of mass surveillance with the ability to pry into the private lives of every person on earth. Here, Snowden reveals for the very first time how he helped to build this system and why he was moved to expose it. Spanning the bucolic Beltway suburbs of his childhood and the clandestine CIA and NSA postings of his adulthood, Permanent Record is the extraordinary account of a bright young man who grew up online – a man who became a spy, a whistleblower, and, in exile, the Internet’s conscience. Written with wit, grace, passion, and an unflinching candor, Permanent Record is a crucial memoir of our digital age. 'A riveting account . . . Reads like a literary thriller' - New York Times

This is one man’s chronicle, at times indignant and at others reflective, of an extraordinary moment in the history of the world, a moment of crisis whose eventual resolution will have far-reaching consequences for our children and their children. The author is Professor Thomas Harrington. His primary field of study is Hispanic culture and history, with a focus on Catalonian language, history and nationalism. With a deep knowledge of the life of a particular region and language group, he cultivated a keen insight into the difference between what is authentic and organic to a social order and what is exogenous and imposed by a ruling-class structure. He has a particular curiosity about the latter. His profound awareness of this power in operation in world events allowed him to see what so many others missed: namely he knew something was very off about the Covid response from the beginning. It’s to the eternal disgrace of so many elites in the political, economic, cultural, and academic world that so many participated in the “great reset” and, further, that so many who did not participate remained silent even as essential social, market, and cultural functioning was systematically dismantled by force with the full participation of the commanding heights of society. Privileged people, whose educational background putatively provided them with greater critical thinking skills than most, and hence an enhanced ability to see through the barrage of propaganda, fell immediately and massively into line. Not only did we see them overwhelmingly accept the government’s repressive, unproven and often patently unscientific measures to contain the Covid virus, but watched many of them emerge online and in other public forums as semi-official enforcers of repressive Government policies and Big Pharma marketing pitches. They mocked and ignored world-class doctors and scientists, and anyone else who expressed ideas that were at variance with official government policies. They told us, ridiculously, that science was not a continuous process of trial and error, but a fixed canon of immutable laws, while promoting, on that same absurd basis, the establishment and enforcement of medical apartheid within families and communities. In the name of keeping their children safe from a virus that could do them virtually no harm, they greatly impeded their long-term social, physical and intellectual development through useless mask-wearing, social distancing and screen-based learning. And in the name of protecting the elderly, they promulgated medically useless rules that forced many older people to suffer and die alone, deprived of the comfort of their loved ones. Many of these people, who by dint of their educational backgrounds should have found it more easy than most to go to the primary sources of scientific information on the virus and the measures taken to lessen its impact, chose in large numbers—with doctors being very prominent among them—to instead “educate” themselves on these important matters with curt summaries derived from the mainstream press, social media or Pharma-captured agencies like the CDC and the FDA. This, paradoxically, while millions of intrepid and less credentialed people with a greater desire to know the truth, often became quite knowledgeable about the actual state of ’the science.” This devastating case of class abdication—which essentially turned the old adage about “To whom much is given, much is expected” on its head—is a central focus of this book. It was the treason of experts.

An eccentric classic of Zen poetry When Zen master Ikkyu Sojun (1394-1481) was appointed headmaster of the great temple at Kyoto, he lasted nine days before denouncing the rampant hypocrisy he saw among the monks there. He in turn invited them to look for him in the sake parlors of the Pleasure Quarters. A Zen monk-poet-calligrapher-musician, he dared to write about the joys of erotic love, along with more traditional Zen themes. He was an eccentric and genius who dared to defy authority and despised corruption. Although he lived during times plagued by war, famine, rioting, and religious upheaval, his writing and music prevailed, influencing Japanese culture to this day. "Ikkyu scandalized the Zen community of his day and is likely to scandalize some readers even now—his short poems are simultaneously bawdy, abrupt, vulgar, and reverential... It is impossible not to love the velocity and variety of his verse."—The Philadelphia Inquirer "Stephen Berg is exactly the right poet to have translated these poems."—Hayden Carruth, The Hudson Review "A deeply sensual man, Ikkyu had little patience for the fussiness of monastic life and ritual... What is especially appealing about Ikkyu's poetry is the way his sensuality infuses his Zen sensibility."—American Book Review Stephen Berg (1934-2014) was the founder and editor of American Poetry Review. Also available by Stephen Berg Steel Cricket PB $16.00, 1-55659-075-X • CUSA New & Selected Poems PB $12.00, 1-55659-043-1 • CUSA

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