544 products in Books, Music, Movies & TV

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The eagerly awaited English edition of "Bought Journalists" was suppressed for three years under the title "Journalists for Hire" -- and still got 24 five-star-only Amazon reviews from would-be readers. 18 months on the bestseller list in Germany. Now it's finally here! Ever get the feeling the media tries to manipulate or lie to you? You have plenty of company! And you are right -- the facts are in. A world-class media insider has blown the whistle on what really goes on inside the media industry. Author Udo Ulfkotte was a respected journalist for 17 years with Germany's newspaper of record, the Frankfurter Allgemeine Zeitung. He begins this explosive exposé by first owning up to his own career, where he had to sell out to have the job. He then reveals the deceptive tricks and secret networks of power within the media. How perks are used to bribe journalists and opinion makers to twist their reporting. How the tone of corruption is set from the top -- play along or quit. How the long arm of the NATO press office enrolls the media to get Europe to support more foreign wars. Ulfkotte names hundreds of names and gives you a behind-the-scenes look at the organizations that influence the German media with one-sided propaganda, such as The Atlantic Bridge, Trilateral Commission, German Marshall Fund, CFR, and Aspen Institute. He unmasks the intelligence agencies behind these lobbies groups and the propaganda techniques they use, such as US Embassy grants for projects to influence European public opinion. When the CIA holds the hand that holds the pen Would you be surprised to learn that spies sit and write articles in newspaper editorial offices? Which are then published on op-ed pages under the names of well-known journalists? Or which journalists receive bribes for their reporting? Have you heard how prestigious "journalism prizes" are a reward system for cooperation? Much as "Heroes of Labor" were honored for writing the best communist propaganda in the former East bloc. Seen from the inside, the difference between journalist and propagandist isn't as far as you might like. The elite owners of the media feel it's their right to think for us, and to mold public opinion to their agendas. Their Freedom of the Press is Freedom to Censor the news. Our nation depends on the media to understand our world, just as each one of us depends on our eyes and ears. The media are our senses. When they hide the truth, or lie to us, they put us all in danger. A million people died in Iraq, Libya and Syria because the press didn't just report the news, didn't just lie about the news, but they invented and sold the events that served as pretexts for wars. The author spent years in the Middle East, surviving an attack with chemical weapons supplied by US and German firms. This book is a veteran's guide to the media spider's web. It shows how the system works, sharpens your common sense skepticism, and increases your immunity to the controlled media's attempts to do our thinking for us. You will gain a whole new perspective on media reports. A good idea of how much you can believe the news on TV or the radio: almost nothing. Ulfkotte dissects the German media establishment, which media outlets are owned by political parties, the journalists that are under their influence, and what keeps them there. You will see how whole countries are manipulated – and who is pulling the strings and why. Here is the bad news about the news: our idea of a free press with a broad spectrum of opinion is pure fantasy. Very often, what is called the "news" is simply brainwashing.

Earth in 2064 is politically corrupt and in economic decline. The Long Depression has dragged on for 56 years, and the Bureau of Sustainable Research is hard at work making sure that no new technologies disrupt the planned economy. Ten years ago a band of malcontents, dreamers, and libertarian radicals bolted privately-developed anti-gravity drives onto rusty sea-going cargo ships, loaded them to the gills with 20th-century tunnel-boring machines and earthmoving equipment, and set sail - for the Moon.There, they built their retreat. A lunar underground border-town, fit to rival Ayn Rand's 'Galt's Gulch', with American capitalists, Mexican hydroponic farmers, and Vietnamese space-suit mechanics - this is the city of Aristillus.There's a problem, though: the economic decline of Earth under a command-and-control economy is causing trouble for the political powers-that-be in Washington DC and elsewhere. To shore up their positions they need slap down the lunar expats and seize the gold they've been mining. The conflicts start small, but rapidly escalate.There are zero-gravity gun fights in rusted ocean going ships flying through space, containers full of bulldozers hurtling through the vacuum, nuclear explosions, armies of tele-operated combat UAVs, guerrilla fighting in urban environments, and an astoundingly visual climax.The Powers of the Earth is the first book in The Aristillus series - a pair of science fiction novels about anarchocapitalism, economics, open source software, corporate finance, social media, antigravity, lunar colonization, genetically modified dogs, strong AI…and really, really big guns.

The Anarchist Cookbook will shock, it will disturb, it will provoke. It places in historical perspective an era when "Turn on, Burn down, Blow up" are revolutionary slogans of the day. Says the author" "This book... is not written for the members of fringe political groups, such as the Weatherman, or The Minutemen. Those radical groups don't need this book. They already know everything that's in here. If the real people of America, the silent majority, are going to survive, they must educate themselves. That is the purpose of this book." In what the author considers a survival guide, there is explicit information on the uses and effects of drugs, ranging from pot to heroin to peanuts. There i detailed advice concerning electronics, sabotage, and surveillance, with data on everything from bugs to scramblers. There is a comprehensive chapter on natural, non-lethal, and lethal weapons, running the gamut from cattle prods to sub-machine guns to bows and arrows. The section on explosives and booby traps ranges from TNT to whistle traps. One hundred and eleven drawings supplement the recipes. "This book is for anarchists," says William Powell, "Those who feel able to discipline themselves on all the subjects from drugs, to weapons, to explosives) that are currently illegal in this country." Techniques, disciplines, precautions, and warnings pervade what may be the most disquieting "how-to" book of contemporary times.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

Entrepreneurship has been expunged from contemporary mainstream economics despite being an important driver and cause of economic development and growth. However, whereas Evolutionary Economics recognizes value-creative entrepreneurship, its role and impact tend to still be understated and the vast implications not fully understood. This Element attempts to remedy this by theorizing on how entrepreneurship impacts and drives market economies, the implications for economic change and renewal, and how the pursuit of new value creation determines the evolution of an economy. We find that allowing for entrepreneurial new value creation – innovative entrepreneurship – produces a different and more dynamic understanding of the market as a process, the role of knowledge and uncertainty, economic evolution and progress, as well as has important implications for political economy.

A New York Times and USA Today bestseller From New York Times bestselling author of The Perfect Marriage and You Shouldn't Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet. After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm's length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn't been back to their small Wisconsin town since their father ran out on them seven years before. While going through their parents' belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends. Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.

Bitcoin Cash vs Bitcoin The battle of the cryptocurrencies * Do you know the difference between Bitcoin and Bitcoin Cash? * Which one is the most future proof? * If you have bitcoin do you have Bitcoin Cash? * Which exchanges support it? 2017 witnessed an important date in the history of cryptocurrency: the split that has created Bitcoin (BTC) and Bitcoin Cash (BCH). Once a unified currency, Bitcoin now has new competition from a twin brother, Bitcoin Cash, which is leaving even the savviest of investors questioning what the difference really is and which is better. An essential guide for any cryptocurrency investor, this book will address the major questions about this split and then look to the future for answers about what’s next. A simple walk through a complicated minefield, you will discover Bitcoin’s exciting history, the hidden features, and the most important underlying principles of this type of investing. Get Answers to Questions Like: * Where did Bitcoin come from? * What exactly is Bitcoin Cash? * What is the best investment? * What does the future hold? * How do I get started? * Where to buy it? * How to store? Solve the mystery between cryptocurrency’s major split and learn how to make smart investments with BTC and BCH. It’s time to enter the fascinating world of Bitcoin Cash Don't wait scroll up and add to cart .

Where Does Money Come From? reveals how, contrary to public perception, the bulk of today's money supply is created and allocated by commercial banks in their role as providers of credit. The authors argue that this system is inherently unstable, with little effective regulation of how much credit is provided or whether it is used for productive or speculative purposes. Based on detailed research and consultation with experts, including from the Bank of England, Where Does Money Come From? reviews theoretical and historical debates on the nature of money and banking and explains the role of the central bank, the Government and the European Union. This Second edition includes new sections on Libor and quantitative easing in the UK and the sovereign debt crisis in Europe. Praise for Where Does Money Come From? “Refreshing and clear. The way monetary economics and banking is taught in many – maybe most - universities is very misleading and what this book does is help people explain how the mechanics of the system work”. David Miles, Monetary Policy Committee, Bank of England “It is amazing that more than a century after Hartley Withers’s The Meaning of Money and 80 years after Keynes’s Treatise on Money, the fundamentals of how banks create money still need to be explained. Yet there plainly is such a need, and this book meets that need, with clear exposition and expert marshalling of the relevant facts. Warmly recommended to the simply curious, the socially concerned, students and those who believe themselves experts, alike. Everyone can learn from it“. Victoria Chick, Emeritus Professor of Economics, University College London. I used Where Does Money Come From? as the core text on my second year undergraduate module in Money and Banking. The students loved it. Not only does it present a clear alternative to the standard textbook view of money, but argues it clearly and simply with detailed attention to the actual behaviour and functioning of the banking system. Highly recommended for teaching the subject. Dr Andy Denis, Director of Undergraduate Studies, Economics Department, City University, London

In this exciting new graphic novel, economist Bryan Caplan examines how changes to housing regulation can lead us to a vastly better world. Why are housing prices in America so unbelievably high, especially in the country's most desirable locations? The superficial answer is “supply and demand,” but the deep answer―the reason supply is so low―is a regulatory system that treats developers like criminals. In Build, Baby, Build: The Science and Ethics of Housing Regulation, economist Bryan Caplan makes the economic and philosophical case for radical deregulation of this massive market―freeing property owners to build as tall and dense as they wish. Not only would the average price of housing be cut in half, but the building boom unleashed by deregulation would simultaneously reduce inequality, increase social mobility, promote economic growth, reduce homelessness, increase birth rates, help the environment, cut crime, and more. Combining stunning homage to classic animation with careful interdisciplinary research, Build, Baby, Build takes readers on a grand tour of a bona fide “panacea policy.” We can start realizing these missed opportunities as soon as we abandon the widespread misconception that housing regulation solves more problems than it causes.

Una mesa de tres patas. Ajuste de cuentas con la politiquería venezolana. Hace veinticinco años el chavismo se instaló en Venezuela. Desde entonces se acabó la democracia con todo lo que eso implica: persecución a la disidencia, torturas, muertes, exilios... La emigración de más de ocho millones de venezolanos que huyeron (y los que siguen huyendo del país) por rutas inseguras y peligrosas, debería ser la cara más visible de lo que sucede en Venezuela donde la pobreza se ha establecido como una forma de control que ayuda a perpetuar la sobrevivencia del sistema instalado. Pero nadie en el mundo quiere ver esa cara. Para todos, Venezuela es un país donde se hacen elecciones a cada rato y por cualquier motivo con un sistema electoral automatizado, pulcro e incuestionable. Y el chavismo sigue allí, pero ¿qué lo sostiene? Para que el chavismo continúe en el poder después de veinticinco años de desastre, ha hecho falta una mesa donde se apoye el sistema criminal. Una mesa de tres patas. Es una mesa bien servida con un menú que incluye narcotráfico, corrupción a niveles nunca vistos, transacciones políticas y monetarias, escándalos de humo y mordazas; silencio, mucho silencio, autoimpuesto u obligado. Daniel Lara Farías quiere armar un escándalo en medio de ese silencio encubridor, y, en este libro expone, sin remilgos, las patas de esa mesa. Las tres patas que sostienen al sistema criminal están ahora visibles. Todas se unen alrededor del dinero, «el cochino dinero», que al parecer mientras más cochino es, más asepsia produce. En esas patas nos vemos todos, porque dicho con sus palabras: «Como se trata de una explicación de la tragedia, debemos entonces renunciar también a excluirnos de toda inocencia, pues formando parte de un conjunto, aquí culpables somos todos: los que votamos y los que dejamos de votar, los que militamos en partidos y los que nunca lo hicieron, los que creyeron en el camino electoral y los que dejamos de creer». ¿Cuán responsable se siente usted?